ATOA Archive
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This Summer | ![]() by pale Infinity & Flash Light ©2008 some rights reserved |
Check our website in October for further information about our Fall calendar of panel discussions. Meanwhile visit our Archives to view transcripts and media clips of past panels, or browse our Video Catalog to order tapes of past panels, visit our online Store to buy books by authors who have spoken at ATOA, or visit www.ATOAauction.com. |
Flash Light is a digital sculptor who currently serves as ATOA's webmaster
and Information Technology (IT) director. In 1970 he shared an Academy Award as one of the cinematographers on
"Woodstock," and subsequently he served for a decade as ATOA's Video Director and cameraman, before becoming IT Director.
He has also helped to organize, and has appeared on several ATOA panels.
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"I feel don't belong here," pale begins. |
"This 'graphic net novel' isn't art." |
"You can't photograph other people's art. . . " |
"and call it your art work." |
"The buildings, the trees, even my dog. . ." |
"are really other peoples' art work." |
"The highest compliment you can pay an artist. . ." |
"is to say his or her work isn't art." |
"It means they've pushed their art beyond. . . ." |
"what to you are the limits of art." |
"You can't justify plagiarism by calling it art. . ." |
"no real artist photographs other peoples' art work." |
"Did you see the Richard Prince show at the Guggenheim?" |
"His work is about re-photographing other peoples' art." |
"I know his work. He re-photographs ads, changing. . ." |
the context of the ad image makes his work art." |
"Exactly! Since Duchamp exhibited a urinal as sculpture. . ." |
"context has been a key to post-modern art." |
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ATOA Archive
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