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Jules Olitski was a color field artist for many years, but returned to abstract landscapes. He has been acknowledged by critic Clement Greenberg as the leading artist of the 20th century. He describes his paintings simply as "a spray of color that hangs like a cloud, but does not lose its shape." He last spoke at ATOA on a panel titled, Jules Olitski interviewed by Molly Barnes. |
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Jules Olitski by Lauren Poster | Jules Olitski by Jules Olitski | Jules Olitski and the Tradition of Oil Painting by Terry Fenton | Three American Painters Fogg Art Museum |
Rosemary O'Neill is an art historian who teaches "Theories of Modern Art" at Parsons School of Design. Selected publications: Modernist Rendezvous: Amadeo de Souza Cardoso and the Delaunays (Corcoran Museum, 1999), Latin American Art of the 20th Century (Museum of Modern Art, 1993), Art in Latin American: The Modern Era, 1820–1980 (Arts Council of Great Britain and Yale University Press, 1989, 1994), Art Journal. Curatorial/museum work: Jewish Museum (NY), Solomon R. Guggenheim Museum, Bronx Museum for the Arts, Phoenix Art Museum, Aronson Gallery, PSD. Coordinated university programs supported by the National Endowment for the Humanities. Awards: Cultural Services of the French Embassy, and Vera List Center for Art and Politics, New School University, Technology and Teaching initiatives, New School University. She last spoke at ATOA on a panel titled, THE PENDULUM SWINGS AGAIN? THE STATE OF KOREAN CONTEMPORARY ART IN THE POST-GLOBAL WORLD. |
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